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P98a – A Visit to Erik Spiekermann’s Berlin Studio

P98a – A Visit to Erik Spiekermann’s Berlin Studio

Visit to Erik Spiekermann Studio P98a, on November 19th 2018 p98a.berlin – typographic workshop Potsdamer Straße 98a 10785 Berlin In my quest to find practitioners of typography and letterpress today, I am visiting Erik Spiekermann’s Berlin-based artist studio, p98a Presses include an Original Heidelberger Tiegel, Korrex Frankfurt Kraft 

Vogue – Berlin Cityscapes Series – 10/10/2018

Vogue – Berlin Cityscapes Series – 10/10/2018

Berlin Cityscapes Series featured on Vogue Italia website

 

Researching the City of Berlin – Typography – Actual Size Magazine

Researching the City of Berlin – Typography – Actual Size Magazine

As part of my typographical field research, I wandered the city of Berlin to seek out any surviving commercial signs, particularly on the facades of buildings, that bear witness to earlier times. New Manchester-based print magazine Actual Size (https://www.actualsizemagazine.com) contacted me on Instagram (https://www.instagram.com/heike_schneider_matzigkeit/) after 

Tag der offenen Baustelle – Stadtschloss Berlin

Tag der offenen Baustelle – Stadtschloss Berlin

                                             

Letterpress Lead Printing for my prototype

Letterpress Lead Printing for my prototype

For my book cover prototype print, I choose a small lead font called 8pt Petit Post Versalien

https://www.voltapress.com/typecatalog/

 

After choosing the font, I proceed to set up the 8 point size letters which takes a lot of concentration and care

 

Then, I start to set up the printing press and to lock the type into place

 

I proceed to pick two colours that will achieve the style that I’m looking for – black and silver

 

Printing small letters onto small paper takes more time than printing big letters onto bigger paper (i.e. poster size)

 

 

THE ADVENTURES OF BEAR

BÄR’S ABENTEUER

 

 Great result – Silver on black

 

 

Anhalter Bahnhof Berlin

Anhalter Bahnhof Berlin

The Remnants of Anhalter Bahnhof Berlin in 2019    

Bookbinding Workshop Reflection

Bookbinding Workshop Reflection

During the bookbinding workshop I experimented with three different types of stitching and created a signature based book (chap book), a Japanese book block, and a coptic book.     Here is my final and favourite result, a coptic stitch book with black pages, white 

Boros Collection – Reichsbahnbunker Friedrichstrasse

Boros Collection – Reichsbahnbunker Friedrichstrasse

There are two very different aspects to a visit to the Boros Collection, however, at the end of the visit it almost feels that they are converging into a new whole.

One element is the obvious history of the location and venue, the other is the current use as an art space.

The Reichsbahnbunker Friedrichstrasse, designed by Karl Bonatz and built in 1943 by POW, was taken over by the Red Army in 1945. Both the Russian Secret Service and subsequently the Stasi used the Bunker as an interrogation prison until 1951, after which it became known as the ‘Banana Bunker’ due to fruits imported from Cuba being stored there. After the Fall of the Wall in 1989 it became a club venue and party location for the Techno and SM scene during the 1990s. In 2003, the art collector Christian Boros bought the building, and began the renovation process as well as the installation of a penthouse on top of the bunker as a home for him and his family.

 

 

 

 

 

 

 

The design of the floor plan is intriguing, from above it looks like a labyrinth.

The arrangement of the rooms on the five levels and the restrooms attached to them at the end of the design, totalling 180 rooms, is the same throughout each floor of the bunker. The rooms all have low ceilings, the bunker’s walls are made of 1.8 meters thickness, and the windows visible from the outside of the building do not exist on the inside – they were installed only from the outside to make it look like a normal building. The same goes for the benches attached to the building on the outside, for the only purpose of not making it look like a bunker. The bunker was built to outlast the war, it was meant as part of the design of the wider design of the new city.

The bunker’s intertwining staircases were supposedly inspired by the famous Da Vinci spiral staircases, 4 and 4 totalling 8 altogether, and are today protected by listed structure regulations (no changes were allowed to be made to them during the renovation process).

The contemporary art collection covers the whole of the five floors of the bunker. Apart from the entrance and hallway to the bunker, photography inside the building is not allowed.

 

 

 

 

 

 

There were three artists pieces that stood out to me for different reasons:

  1. Paulo Nazareth, Arma Branca (2013) | Woodcut on journal paper and wood |

White Weapon – The connotation being that a black man committed the crime

The installation piece Arma Branca draws the viewer in by letting him/her participate in the printing of an image of the weapon (in this case a knife). The above print was made by myself during the visit. The interactivit renders the subject matter more real. It also conjures up  an understanding of how basic this weapon is, and what it might have felt like to be living in those times.

2. Katja Novitskova, Pattern of Activation (2014) | Installation. | Digital print on aluminum, cutout display; polyurethane, steel; aluminum, stainless steel cutout display |

The installation fits the space well, one room with black paint still on the walls (from the bunker’s club history). The black paint correlates with the red curve display. The arrow is painting upwards, placed on top of a trampoline, representing endless human growth. Does such a thing exist? The horse to me represents nature and other species that are being made extinct at the same time as the human being is expanding.

3. Justin Matherly, A concern altering pure features (e.t.n.c.g.e.) (2013) and Sniffing for every jungle (e.t.s.p.n.g.l.) (2013) | Reinforced concrete, ambulatory equipment, stainless steel hardware, zip ties, spray paint, water based marker |

 

Justin Matherly – Sniffing for every jungle (e.t.s.p.n.g.l.) (2013)

Justin Matherly’s sculptures are inspired by the Nemrut Dagi mountain in Turkey, a royal tomb dated 69–36 b.C. The site displays large stone statues with massive heads including gods, lions and eagles. Since the late 19th Century the area is an excavation site and today also a tourist hot spot.

https://www.sammlung-boros.de

Letterpress Workshop – Documentation & Self-Reflection

Letterpress Workshop – Documentation & Self-Reflection

  Lux Revolver Poster printed with wooden letters (and shadow) Delving deeper into the history of letterpress and printing presses, I learn many interesting facts such as that historically movable type was in use in China and Korea for centuries before Gutenberg affected change in